3/21/2023 0 Comments Nikhita iyar moxtra![]() ![]() So with that in mind, here are a trio of big themes that go a long way toward defining both the content of and conversation around FinovateFall 2017.īringing our Best of Show winners on stage to kick off the discussion days was a great opportunity to once-again highlight the achievements of some of our most innovative companies – as chosen by the FinovateFall attendees. Indeed, with more than 500 minutes of live demos on days one and two, and twin-track, double-barrel breakout sessions and panels on days three and four – it seems like the only more valuable commodity than cool fintech last week was the time to take it all in. Two days of keynote speeches, panels, and presentations – to say nothing of another two days of networking – gave FinovateFall attendees time to digest, discuss, and debate many of the ideas, technologies, and solutions that dominated the conference. PLEASE GO SEE IT!! Details available at: Curated by Baha Danesh Featuring artwork by: Chenhung Chen Teale Hatheway Emily Elisa Halpern Kiara Machado Caley O'Dwyer Feagin Jennifer Gunlock Jess Hernandez Art Stephanie Sherwood and Essi Zimm For more information see: #abstractart #abstractartist #dtlaartsdistrict #contemporaryart #losangeles #laart #laartist #painting #sculpture #exhibition #artcollector #artsharela (at Art Share L.A.Adding a pair of discussion days to Finovate’s traditional demo days format, has made it that much easier for FinovateFall attendees to answer the question perennial post-conference question: “So. The show is on view through December 3rd, 2022. Abstracted explores Los Angeles through a range of abstractionists whose artwork conveys the complexity of the urban environment. I had such a nice time last night at Art Share L.A for our artists walk-through of the L.A Abstracted exhibit! L.A. “When I put in light and the brushwork, the viewer’s position and movement actually creates the painting.” As you walk around her white canvases, their surfaces appear to glimmer and shift in response to the changing relationship between the painting and its observer. Decades after the production of her first White Light painting, the glass microbeads remain the driving force behind Corse’s perceptually complex work. Up close, however, the White Light paintings offer dimensionality and motion, relying on the spherical shape of the beads to refract light back into the work’s surrounding environment.4 The curved surface of the glass collects the light rays onto the painting’s surface and deflects the light toward a common focal point in this case, the viewer’s eye. Corse scatters the microspheres across the canvas and incorporates them into her mixture of white acrylic paint and gesso using a heavy-duty brush.3 Seen from afar, this treatment creates the effect of a static painting with areas of uniform color. Department of Transportation used in signage and highway markings. To produce this glowing effect in her paintings, she began employing the glass microspheres that the L.A. The realization that she could conjure this sensation of light using reflective glass beads changed the trajectory of Corse’s career.
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